Is it possible for the echoes of childhood friendships to reverberate through the corridors of musical innovation, shaping the very essence of a genre? For Sarah Barthel, one half of the electronic music duo Phantogram, the answer is a resounding yes, as her lifelong bond with co-creator Josh Carter has been instrumental in crafting their unique sonic landscape.
From the quaint town of Greenwich, New York, emerged a musical force that would redefine the boundaries of electronic pop. Sarah Barthel, a name now synonymous with captivating vocals and mesmerizing keyboard artistry, forms the bedrock of Phantogram. Alongside her childhood friend, Josh Carter, Barthel has sculpted a career that transcends mere music-making; it's a tapestry woven with shared experiences, unwavering support, and a relentless pursuit of artistic expression.
Their story begins in the most unassuming of places preschool. It was here, amidst the finger paints and playground games, that Barthel and Carter forged a bond that would later blossom into a creative partnership. This early connection, nurtured through shared interests and mutual understanding, became the fertile ground from which Phantogram would spring. Their music, a blend of electronic beats, haunting melodies, and Barthel's signature vocals, is a testament to the enduring power of their friendship and shared musical vision.
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| Full Name: | Sarah Demarest Barthel |
| Profession: | Singer, Keyboardist, Songwriter |
| Known For: | One half of the electronic music duo Phantogram |
| Date of Birth: | Born in the 1980s |
| Birthplace: | United States of America |
| Relationship: | Shaun White (rumored) |
| Musical Style: | Electronic Pop, Indie Pop |
| Associated Acts: | Phantogram, Big Boi, Miley Cyrus |
| Albums: | Five studio albums, four EPs, and numerous singles |
| Key Songs: | "You Don't Get Me High Anymore," "Fall in Love," "Black Out Days" |
| Suicide Awareness: | Actively supports suicide prevention organizations |
| Reference: | Phantogram Official Website |
The musical journey of Phantogram is a testament to their enduring friendship and shared musical ambitions. In 2007, their paths converged again. Barthel, disillusioned with her studies at Champlain College in Vermont, returned home, while Carter, back from a stint in New York City playing with the experimental band Grand Habit (formed with his brother John), found himself seeking new creative outlets. This confluence of circumstances marked the genesis of Phantogram. The name, a portmanteau of "phantom" and "hologram," perfectly encapsulates the ethereal and multifaceted nature of their music.
Their music is a sonic exploration, a tapestry woven from diverse influences, and a bold disregard for genre boundaries. Their creative process is as unique as their music. They have spoken about their writing process, life calendars, and their love for Chicago in interviews, revealing an artistic process that is as captivating as their music itself. The duo's willingness to experiment, to venture beyond the familiar 4/4 time signatures, is a hallmark of their approach.
Phantogram's discography is a testament to their creative consistency. The band has released five albums, four EPs and 24 singles. The duo's music has resonated with a broad audience, garnering both critical acclaim and commercial success. Collaborations with artists such as Big Boi and Miley Cyrus have further expanded their reach, showcasing their versatility and ability to seamlessly blend their signature sound with the styles of others.
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Beyond the music, Barthel's personal journey adds another layer of depth to her artistry. She bravely shares her story of grief and healing after her sister Becky's death by suicide. This experience has profoundly impacted her life and work. She also talks about her music, her support system, and her involvement with AFSP, a suicide prevention organization. It is the band's dedication to suicide prevention and public awareness that earned Phantogram the Public Awareness Award at the American Foundation for Suicide Prevention's 2018 Lifesavers Gala, a testament to their commitment to using their platform for positive change.
Their latest album, "Memory of a Day," released on October 18th via Neon Gold Records, offers a window into the duo's introspective side, exploring the small and often poignant memories that shape our lives. For Barthel and Carter, writing the new music was an exciting process of rediscovering their creative roots. The duo's willingness to experiment with different time signatures, not just 4/4, adds to the unique quality of their sound.
The band has certainly "been around the block more than a few times." Their journey, marked by strobe lights and innovative soundscapes, has been a testament to their resilience and their creative vision. Their stage presence and dynamic performances have wowed audiences at major music festivals worldwide, solidifying their position as a leading force in electronic music.
The influence of their early years in Saratoga Springs, NY, and the impact of their experiences are often reflected in their music. Sarah and Josh, friends since preschool, returned home in the summer of 2007 after trying their hands at college and playing in bands, respectively. This return to their roots, coupled with a shared vision, sparked the formation of Phantogram.
It is an ongoing evolution, a testament to their enduring friendship and their artistic vision. From their early days, creating music in Saratoga Springs, NY, to their collaborations and their albums, Barthel and Carter continue to create music that is both innovative and deeply personal. Phantogram's music is a reflection of their journey.
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